Jane eyre movie 1944 download11/13/2022 ![]() ![]() There is some excellent use of high and low key lighting by the cinematographer George Barnes. However, it does capture the Gothic atmosphere, especially at Thornfield. Stylistically the film broadly follows the conventions of Hollywood studios, thus reinforcing the position of the men in the film. Both, in different ways, are important in the characterisation of our heroine. John Rivers from Jane’s odyssey away from Thornfield. Moreover, two key characters are missing from the film version, Miss Temple from the Lowood school and St. The film does provide a voice-over to present Jane’s point of view, but not all key parts of the film enjoy this. The screenplay was in part an adaptation of a broadcast version by The Mercury Theatre on the Air. The script of the film was (surprisingly) by Aldous Huxley with contributions from the director and John Houseman. And they are supported by some excellent actors, including Agnes Moorehead and Henry Daniel and the young Peggy Ann Garner, Elizabeth Taylor and Margaret O’Brien. However, in the rather different presentation from the novel both stars are very good. Moreover, when could he resist directing as well, and the film bears many of his hallmarks. “(could Welles ever appear chastened?) . “ Referring to the finale of the novel and film Ellis and Kaplan ask, This point is accentuated by the casting of Orson Welles as Rochester. Fontaine’s performance is closer to the somewhat submissive heroine of Du Maurier than to Brontë’s Jane. Jane is played by Joan Fontaine, who was the wife in a film version of that lesser masterwork inspired by Jane Eyre, Daphne Du Maurier’s ‘Rebecca’ (1940). One of the limitations of this 1943 version is the casting. Gainsborough and Morton make a better fist of the strong woman to my mind: whilst Fukunaga’s 2011 version gets stuck in odd variations from the plot. We now have had Charlotte Gainsborough working with Franco Zefferelli, Samantha Morton working with Robert Young and Mia Wasikowska with Cari Joji Fukunaga. There have been more film and television versions since then. ( The English Novel and the Movies, 1981). ![]() … Jane’s strength comes to the reader through the clear, strong voice of the first person narrative . Neither film version (1944, 1970) is ultimately able to retain the centrality of Jane’s point of view. “ is a story of a woman who understands instinctively the inequities of patriarchal structures but who cannot, finally, move entirely beyond them. Kate Ellis and Ann Kaplan commented on both this film and the 1970 TV film version directed by Delbert Mann: This Hollywood version, directed by Robert Stevenson, was the third, though the 1910 film was only a reel in length. This is not a novel that can be transferred in all its complexity and power to the screen: but the melodramatic plot does work well on film. ![]() And besides this there was the potent Gothic aspect which suffused much of the novel. I was immediately taken with the manner in which Jane challenged authority, especially male authority. I read it in my teens, twelve times as I remember. The author, Charlotte Brontë, published two other novels but it is this work which has made her famous. This is one of the most powerful and popular of C19th English novels. ![]()
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